Joan jett hace unos añitos...para poner fotos debes pulsar Img a continuacion pegar la direccion de la foto que quieres colgar y volver a pulsar Img...mes o menys.DJ Dissident escribió:¿Quien es? Y si alguien puede explicarme cómo colgar fotos, se lo agradecería mogollón.AntiFashion escribió:ES imposible no pasar por aqui...es toda una tentacion..
Hmmm, Nu-metal... lo siento, ella estará muy buena, pero no aguanto su música. Opinión personal, claroMael escribió:DJ no hay de que XDD,
y sobre lo que hacen, aquí tienes un enlace para catar su música
http://www.myspace.com/deconstruct
Ahora sólo queda ella, no? La otra se fue, creo. La verdad es que no he escuchado nada suyo, voy a pegar una vuelta por el emula a ver. He leído que está bastante bien, rolo Motorhead pero más agradable a la vista, no?TRANSYL666 escribió:Pues mi diosa del metal es Angela Gossow de Arch Enemy pero tengo otra en la rekámara ke me alegra mucho la vista. Se trata de Ruyter, la guitarrista de Nashville Pussy.
Jej, sí, ami tambien me acaba cansando el nu-metal. Aunque hay una cosa que no entiendo, ya lo comenté en otro post tambien y no me cansaré de decirlo:DJ Dissident escribió:Hmmm, Nu-metal... lo siento, ella estará muy buena, pero no aguanto su música. Opinión personal, claroMael escribió:DJ no hay de que XDD,
y sobre lo que hacen, aquí tienes un enlace para catar su música
http://www.myspace.com/deconstruct
Aunque vuelvo a lo mismo, las etiquetas, a grandes rasgos sirven para identificar, sino mas bien confunden.allmusic.com escribió: At its outset, alternative metal was a style united by its nonconformist sensibility rather than any immediately classifiable sound. Heavy metal was at the core of the music, but the bands were too offbeat and their influences too eclectic to fit into the thrash underground, so their main audiences were mostly alternative fans who liked heavy guitar rock. However, after grunge helped make alternative metal more palatable to mass audiences, it became the most popular style of heavy metal in the '90s, particularly when more aggressive bands began standardizing its sound. That approach was a far cry from alternative metal's early days in the late '80s, when it represented the least categorizable heavy music around. By that time, most surviving hardcore punk bands had moved into metal territory, pushing underground hard-guitar-rock bands to look elsewhere for inspiration. The first wave of alternative metal bands fused heavy metal with prog-rock (Jane's Addiction, Primus), garage punk (Soundgarden, Corrosion of Conformity), noise-rock (the Jesus Lizard, Helmet), funk (Faith No More, Living Colour), rap (Faith No More, Biohazard), industrial (Ministry, Nine Inch Nails), psychedelia (Soundgarden, Monster Magnet), and even world music (later Sepultura). There was no real "scene," just an increased willingness to experiment with a form that had grown overly reliant on pure instrumental technique. Some of those bands eventually broke out to wider audiences, often with help from the Lollapalooza tour, and they also set the stage for a new wave of alt-metal that emerged around 1993-94, centered around the rap-metal fusions of Rage Against the Machine and Korn, the grindingly dissonant Tool, the heavily production-reliant White Zombie, and the popular breakthrough of Nine Inch Nails. These bands would become the most influential forces in shaping the sound and style of alternative metal for the rest of the '90s, along with Pantera, whose thick, molten riffs sounded like no other thrash-metal band. Like many alt-metal bands, Pantera was serious, bleak, and inward-looking, but they demonstrated how to be macho about it. By the latter half of the '90s, most new alt-metal bands were playing some combination of simplified thrash, rap, industrial, hardcore punk, and grunge. This new sound was more about grinding textures and intense aggression than hooks or memorable riffs, and accordingly relied more on studio production to achieve its force; however, it captured the adolescent machismo that has long been mainstream metal's stock in trade, and accordingly became a commercial juggernaut. Korn, Marilyn Manson, and Limp Bizkit were the biggest stars of this new movement -- sometimes dubbed aggro-metal, nu-metal, or (incorrectly) hardcore -- and by the end of the decade, countless new bands were performing that style in a major-label feeding frenzy similar to the proliferation of hair metal bands in the late '80s (ironic, given alternative metal's vehement rejection of hair metal's attitude).
thinlizzy escribió:Definicion de nu-metal o alternative metal q les gusta llamarlo a los yankisAunque vuelvo a lo mismo, las etiquetas, a grandes rasgos sirven para identificar, sino mas bien confunden.allmusic.com escribió: ......
)
debateeeeee!!!thinlizzy escribió:Si Faith No More o Living Colour entran en la definicion de nu-metal o alternative metal, xq no entra RHCP?
Me gustaria q los q os reis de q yo diga q RHCP es nu-metal o alternative metal dierais algun argumento y tal....
por crear debate mas q nada y eso
no por dios!!!!!!!!thinlizzy escribió:Si Faith No More o Living Colour entran en la definicion de nu-metal o alternative metal, xq no entra RHCP?
estas hablando de grupos demasiado puros. no se merecen esa etiqueta! Usuarios navegando por este Foro: No hay usuarios registrados visitando el Foro y 1 invitado
bueno....y el cantante de Sentenced q nose como se yama 