podria alguien compilarme un disco d nu metal y otro d trash
podria alguien compilarme un disco d nu metal y otro d trash
me gustaria saber vuestros gustos de nu metal y trash para poder ampliar mis conocimientos con esta musica gloriosa, asi sere feliz jeje
A ver,lo primero, se escribe THRASH,con dos haches,y solo t puedo ayudar en esto,te dire unos diez o doce temas d grupos diferentes,en el emule los podras encontrar:
METALLICA "Whiplash"
MEGADETH "Hangar 18"
KREATOR "Extreme Aggression"
SEPULTURA "Beneath the remains"
SLAYER "Angel of death"
SODOM "Ausgebombt"
TESTAMENT "Trial by fire"
ANTHRAX "Keep in the family"
EXODUS "Impact is inminent"
FORBIDDEN "Twisted into form"
HEATHEN "Hypnotized"
EVILDEAD "Annihilation of civilization"
DEATH ANGEL "Thrashers"
RISK "Monkey bussines"
LAAZ ROCKIT "Fire in the hole"
OVERKILL "I hate"
Bueno creo k e puesto algunos mas,y podria seguir,pero bueno.
Espero haberte sido de ayuda.salut.
METALLICA "Whiplash"
MEGADETH "Hangar 18"
KREATOR "Extreme Aggression"
SEPULTURA "Beneath the remains"
SLAYER "Angel of death"
SODOM "Ausgebombt"
TESTAMENT "Trial by fire"
ANTHRAX "Keep in the family"
EXODUS "Impact is inminent"
FORBIDDEN "Twisted into form"
HEATHEN "Hypnotized"
EVILDEAD "Annihilation of civilization"
DEATH ANGEL "Thrashers"
RISK "Monkey bussines"
LAAZ ROCKIT "Fire in the hole"
OVERKILL "I hate"
Bueno creo k e puesto algunos mas,y podria seguir,pero bueno.
Espero haberte sido de ayuda.salut.
Unas cuantas mas;
SLAYER war ensemble
SEPULTURA arise
VOIVOD garsmask revival
KREATOR flag of hate
SODOM agent orange
TESTAMENT rapid fire
CELTIC FROST the usurper
EXODUS the toxic waltz
CORONER die by my hands
PROBOT centuries of skin ( con Cronos de VENON)
ANTHRAX metal thasing mad (version 2004)
INTRUDER face of hate
MEGADETH simphpny of destruction
HIGH ON FIRE the face of oblivion
METALLICA creeping death
SLAYER war ensemble
SEPULTURA arise
VOIVOD garsmask revival
KREATOR flag of hate
SODOM agent orange
TESTAMENT rapid fire
CELTIC FROST the usurper
EXODUS the toxic waltz
CORONER die by my hands
PROBOT centuries of skin ( con Cronos de VENON)
ANTHRAX metal thasing mad (version 2004)
INTRUDER face of hate
MEGADETH simphpny of destruction
HIGH ON FIRE the face of oblivion
METALLICA creeping death
jo, nadie dice nada de nu-metal?? jooo
de hamlet tienes vastantes canciones buenas como la de irracional o la de maldito facha (creo k se llama así).
ramstein tiene muchas canciones k estan bien (aunk tambien muxas otras k no lo estan) xo no me se los nombres... jo, lo siento
puesto especial xa linkin park aunk a poca gente le gusta, del cual te recomendaría todo el album de meteora y el de hybrid theory, especialmente la de with you (aunk esa esta en el disco de reanimation la mejor version)
korn y p.o.d. tampoco estan mal, hay k saber pillar las canciones, es solo mirar alguna k te guste de ellos
bueno y estan los genios de slipnot xo no se donde los metereis a ellos de las cuales todas son wenisimas, sobretodo la de before i forget y la de duality
k aproveche y a ver si alguien pone algun grupo de nu-metal k a mi me encanta este genero xo se pocos grupos
de hamlet tienes vastantes canciones buenas como la de irracional o la de maldito facha (creo k se llama así).
ramstein tiene muchas canciones k estan bien (aunk tambien muxas otras k no lo estan) xo no me se los nombres... jo, lo siento
puesto especial xa linkin park aunk a poca gente le gusta, del cual te recomendaría todo el album de meteora y el de hybrid theory, especialmente la de with you (aunk esa esta en el disco de reanimation la mejor version)
korn y p.o.d. tampoco estan mal, hay k saber pillar las canciones, es solo mirar alguna k te guste de ellos
bueno y estan los genios de slipnot xo no se donde los metereis a ellos de las cuales todas son wenisimas, sobretodo la de before i forget y la de duality
k aproveche y a ver si alguien pone algun grupo de nu-metal k a mi me encanta este genero xo se pocos grupos
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NODstramorus
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No! Linkin Park no! Te digo aqui algunos discos buenos buenos:
KoRn: KoRn, Life is peachy, Follow the leader, Issues, Untouchables, Take a look in the mirror, See you on the other side (vale si, todos, por algo son mi grupo favorito).
Limp Bizkit: Three dollar Bill Y'All, Significant other, Chocolate starfish and hot dog..., The unquestionable truth.
Slipknot: Iowa, Volumen 3: The subliminal verses
Lostprophets: The fake sound of progress (los otros no son tan metaleros)
SOAD: Toxicity, Mezmerize
RATM: RATM
Pavilhao 9: Reaçao
Papa Roach: Infest
Adema: Adema
Hora Zulu: Me duele la boca de decirlo, Crisis de claridad
Sôber: Morfologia, Paradysso
Kannon: Denuevonunca
Berri Txarrak: Jaio.Musika.Hil, Libre
Hamlet: El Inferno
NdNO: Se mueve, Adam 6
Skunk DF: Dentro, Neo, El año del dragon
Y otros grupos que estan bien son Cerebral, Voz en Off 2.1, Drowning Pool, Elecktra, After Feed-Back, Unloco, Taproot, Pleymo, Saliva, Eve 6, Guano Apes, Mudvayne, Ill Niño...
KoRn: KoRn, Life is peachy, Follow the leader, Issues, Untouchables, Take a look in the mirror, See you on the other side (vale si, todos, por algo son mi grupo favorito).
Limp Bizkit: Three dollar Bill Y'All, Significant other, Chocolate starfish and hot dog..., The unquestionable truth.
Slipknot: Iowa, Volumen 3: The subliminal verses
Lostprophets: The fake sound of progress (los otros no son tan metaleros)
SOAD: Toxicity, Mezmerize
RATM: RATM
Pavilhao 9: Reaçao
Papa Roach: Infest
Adema: Adema
Hora Zulu: Me duele la boca de decirlo, Crisis de claridad
Sôber: Morfologia, Paradysso
Kannon: Denuevonunca
Berri Txarrak: Jaio.Musika.Hil, Libre
Hamlet: El Inferno
NdNO: Se mueve, Adam 6
Skunk DF: Dentro, Neo, El año del dragon
Y otros grupos que estan bien son Cerebral, Voz en Off 2.1, Drowning Pool, Elecktra, After Feed-Back, Unloco, Taproot, Pleymo, Saliva, Eve 6, Guano Apes, Mudvayne, Ill Niño...
Estas son definiciones sacadas de allmusic.com
Estan bastante bien, hay cosas discutibles pero son bastante acertadas:
Thrash:
"Thrash was essentially the sound of underground heavy metal during the '80s, dominated by a driving, percussive approach to rhythm guitar (thanks to a pick-hand technique called palm muting) and furious levels of aggression. Thrash was often technically accomplished, taken at fast tempos, and emphasized heavy, sometimes atonal guitar riffs over melody; however, these generalizations are far from absolute rules. In its early days, thrash was essentially the same thing as speed metal, the product of American bands who in the early '80s fused the lean, vicious attack of the New Wave of British Heavy Metal with the tempos of hardcore punk and Motorhead. However, the dexterity and constant intensity required to play speed metal proved limiting to some, and a variety of different approaches quickly took shape: some thrash bands concentrated more on midtempo grooves, occasionally accelerating into speed-metal realms; some, like Metallica and Megadeth, used their instrumental technique to craft more intricate and progressive music; others emphasized the music's aggression to project theatrically menacing images. Thrash provided a harder, heavier, more authentically metallic alternative to the accessible pop-metal bands who dominated the charts in the late '80s, and despite a dearth of airplay, it became quite popular, so much so that when Metallica and Megadeth streamlined their sound to make it more accessible in the early '90s, they became instant superstars. Diehard underground metalheads took refuge in the thrash-inspired death and black metal styles, which took thrash's dark subject matter and visceral force to intentionally disturbing extremes."
Nu Metal:
"At its outset, alternative metal was a style united by its nonconformist sensibility rather than any immediately classifiable sound. Heavy metal was at the core of the music, but the bands were too offbeat and their influences too eclectic to fit into the thrash underground, so their main audiences were mostly alternative fans who liked heavy guitar rock. However, after grunge helped make alternative metal more palatable to mass audiences, it became the most popular style of heavy metal in the '90s, particularly when more aggressive bands began standardizing its sound. That approach was a far cry from alternative metal's early days in the late '80s, when it represented the least categorizable heavy music around. By that time, most surviving hardcore punk bands had moved into metal territory, pushing underground hard-guitar-rock bands to look elsewhere for inspiration. The first wave of alternative metal bands fused heavy metal with prog-rock (Jane's Addiction, Primus), garage punk (Soundgarden, Corrosion of Conformity), noise-rock (the Jesus Lizard, Helmet), funk (Faith No More, Living Colour), rap (Faith No More, Biohazard), industrial (Ministry, Nine Inch Nails), psychedelia (Soundgarden, Monster Magnet), and even world music (later Sepultura). There was no real "scene," just an increased willingness to experiment with a form that had grown overly reliant on pure instrumental technique. Some of those bands eventually broke out to wider audiences, often with help from the Lollapalooza tour, and they also set the stage for a new wave of alt-metal that emerged around 1993-94, centered around the rap-metal fusions of Rage Against the Machine and Korn, the grindingly dissonant Tool, the heavily production-reliant White Zombie, and the popular breakthrough of Nine Inch Nails. These bands would become the most influential forces in shaping the sound and style of alternative metal for the rest of the '90s, along with Pantera, whose thick, molten riffs sounded like no other thrash-metal band. Like many alt-metal bands, Pantera was serious, bleak, and inward-looking, but they demonstrated how to be macho about it. By the latter half of the '90s, most new alt-metal bands were playing some combination of simplified thrash, rap, industrial, hardcore punk, and grunge. This new sound was more about grinding textures and intense aggression than hooks or memorable riffs, and accordingly relied more on studio production to achieve its force; however, it captured the adolescent machismo that has long been mainstream metal's stock in trade, and accordingly became a commercial juggernaut. Korn, Marilyn Manson, and Limp Bizkit were the biggest stars of this new movement -- sometimes dubbed aggro-metal, nu-metal, or (incorrectly) hardcore -- and by the end of the decade, countless new bands were performing that style in a major-label feeding frenzy similar to the proliferation of hair metal bands in the late '80s (ironic, given alternative metal's vehement rejection of hair metal's attitude)."
Estan bastante bien, hay cosas discutibles pero son bastante acertadas:
Thrash:
"Thrash was essentially the sound of underground heavy metal during the '80s, dominated by a driving, percussive approach to rhythm guitar (thanks to a pick-hand technique called palm muting) and furious levels of aggression. Thrash was often technically accomplished, taken at fast tempos, and emphasized heavy, sometimes atonal guitar riffs over melody; however, these generalizations are far from absolute rules. In its early days, thrash was essentially the same thing as speed metal, the product of American bands who in the early '80s fused the lean, vicious attack of the New Wave of British Heavy Metal with the tempos of hardcore punk and Motorhead. However, the dexterity and constant intensity required to play speed metal proved limiting to some, and a variety of different approaches quickly took shape: some thrash bands concentrated more on midtempo grooves, occasionally accelerating into speed-metal realms; some, like Metallica and Megadeth, used their instrumental technique to craft more intricate and progressive music; others emphasized the music's aggression to project theatrically menacing images. Thrash provided a harder, heavier, more authentically metallic alternative to the accessible pop-metal bands who dominated the charts in the late '80s, and despite a dearth of airplay, it became quite popular, so much so that when Metallica and Megadeth streamlined their sound to make it more accessible in the early '90s, they became instant superstars. Diehard underground metalheads took refuge in the thrash-inspired death and black metal styles, which took thrash's dark subject matter and visceral force to intentionally disturbing extremes."
Nu Metal:
"At its outset, alternative metal was a style united by its nonconformist sensibility rather than any immediately classifiable sound. Heavy metal was at the core of the music, but the bands were too offbeat and their influences too eclectic to fit into the thrash underground, so their main audiences were mostly alternative fans who liked heavy guitar rock. However, after grunge helped make alternative metal more palatable to mass audiences, it became the most popular style of heavy metal in the '90s, particularly when more aggressive bands began standardizing its sound. That approach was a far cry from alternative metal's early days in the late '80s, when it represented the least categorizable heavy music around. By that time, most surviving hardcore punk bands had moved into metal territory, pushing underground hard-guitar-rock bands to look elsewhere for inspiration. The first wave of alternative metal bands fused heavy metal with prog-rock (Jane's Addiction, Primus), garage punk (Soundgarden, Corrosion of Conformity), noise-rock (the Jesus Lizard, Helmet), funk (Faith No More, Living Colour), rap (Faith No More, Biohazard), industrial (Ministry, Nine Inch Nails), psychedelia (Soundgarden, Monster Magnet), and even world music (later Sepultura). There was no real "scene," just an increased willingness to experiment with a form that had grown overly reliant on pure instrumental technique. Some of those bands eventually broke out to wider audiences, often with help from the Lollapalooza tour, and they also set the stage for a new wave of alt-metal that emerged around 1993-94, centered around the rap-metal fusions of Rage Against the Machine and Korn, the grindingly dissonant Tool, the heavily production-reliant White Zombie, and the popular breakthrough of Nine Inch Nails. These bands would become the most influential forces in shaping the sound and style of alternative metal for the rest of the '90s, along with Pantera, whose thick, molten riffs sounded like no other thrash-metal band. Like many alt-metal bands, Pantera was serious, bleak, and inward-looking, but they demonstrated how to be macho about it. By the latter half of the '90s, most new alt-metal bands were playing some combination of simplified thrash, rap, industrial, hardcore punk, and grunge. This new sound was more about grinding textures and intense aggression than hooks or memorable riffs, and accordingly relied more on studio production to achieve its force; however, it captured the adolescent machismo that has long been mainstream metal's stock in trade, and accordingly became a commercial juggernaut. Korn, Marilyn Manson, and Limp Bizkit were the biggest stars of this new movement -- sometimes dubbed aggro-metal, nu-metal, or (incorrectly) hardcore -- and by the end of the decade, countless new bands were performing that style in a major-label feeding frenzy similar to the proliferation of hair metal bands in the late '80s (ironic, given alternative metal's vehement rejection of hair metal's attitude)."
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NODstramorus
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Si no sabes lo que es, es numetal.
Kaede, voy a hacer una excepcion contigo, ya que tengo crucificados a Linkin Pop (con lo que esto me cuesta mucho), y a lo mejor no has escuchado la cancion que parece ser que estara en el disco nuevo, de momento se llama Qwerty:
http://rapidshare.de/files/29596220/Lin ... y.mp3.html
Kaede, voy a hacer una excepcion contigo, ya que tengo crucificados a Linkin Pop (con lo que esto me cuesta mucho), y a lo mejor no has escuchado la cancion que parece ser que estara en el disco nuevo, de momento se llama Qwerty:
http://rapidshare.de/files/29596220/Lin ... y.mp3.html
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sebas
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yo es q me lo he pensado, pro al final me ha dado mucha pereza, por q entre q pienso en los grupos y busco la canción apropiada... al fina me tiro dos horas. o lo hago bien o no lo hago.Kaede escribió:jo, nadie dice nada de nu-metal??
ademas, va contra mi nueva religión hablar del nu-metal como un estilo de música, asi q nada..
apunta estos grupos para hacer una recopilación esencial de Nu Metal:
-internacionales: Slipknot, System of a Down, Disturbed, Korn, Guano Apes, Ill NIño, Linkin Park, Papa Roach, Taproot, Mudvayne, Sevendust, P.O.D, Deftones, Adema, Spineshank, Coal Chamber, Inme, Drowning Pool, Limp Bizkit
-nacionales: Skunk D.F., Kannon, Elecktra, Berri Txarrak, Malfucktion, Tenpel, Estirpe, Hamlet, Coilbox, Afterfeedback, NdNO, Sugarless, Jacky Trap, Hora Zulu, Habeas Corpus, Cripta, Voz en Off 2.1, Flying Dog
visita www.lost-sound.tk y descubriras a los grupos de nu metal ke aun no conozcas
-internacionales: Slipknot, System of a Down, Disturbed, Korn, Guano Apes, Ill NIño, Linkin Park, Papa Roach, Taproot, Mudvayne, Sevendust, P.O.D, Deftones, Adema, Spineshank, Coal Chamber, Inme, Drowning Pool, Limp Bizkit
-nacionales: Skunk D.F., Kannon, Elecktra, Berri Txarrak, Malfucktion, Tenpel, Estirpe, Hamlet, Coilbox, Afterfeedback, NdNO, Sugarless, Jacky Trap, Hora Zulu, Habeas Corpus, Cripta, Voz en Off 2.1, Flying Dog
visita www.lost-sound.tk y descubriras a los grupos de nu metal ke aun no conozcas
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Fonsy
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Todo mierdaCoilboX_13 escribió:-internacionales: Slipknot, System of a Down, Disturbed, Korn, Guano Apes, Ill NIño, Linkin Park, Papa Roach, Taproot, Mudvayne, Sevendust, P.O.D, Deftones, Adema, Spineshank, Coal Chamber, Inme, Drowning Pool, Limp Bizkit
Eso es más bien Hardcore xDCoilboX_13 escribió:-nacionales: Skunk D.F., Kannon, Elecktra, Berri Txarrak, Malfucktion, Tenpel, Estirpe, Hamlet, Coilbox, Afterfeedback, NdNO, Sugarless, Jacky Trap, Hora Zulu, Habeas Corpus, Cripta, Voz en Off 2.1, Flying Dog
Toma ya!!Fonsy-KDT escribió:Todo mierdaCoilboX_13 escribió:-internacionales: Slipknot, System of a Down, Disturbed, Korn, Guano Apes, Ill NIño, Linkin Park, Papa Roach, Taproot, Mudvayne, Sevendust, P.O.D, Deftones, Adema, Spineshank, Coal Chamber, Inme, Drowning Pool, Limp Bizkit
Eso es más bien Hardcore xDCoilboX_13 escribió:-nacionales: Skunk D.F., Kannon, Elecktra, Berri Txarrak, Malfucktion, Tenpel, Estirpe, Hamlet, Coilbox, Afterfeedback, NdNO, Sugarless, Jacky Trap, Hora Zulu, Habeas Corpus, Cripta, Voz en Off 2.1, Flying Dog
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SaCChaRoMYceS
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